Showing posts with label creative. Show all posts
Showing posts with label creative. Show all posts

Sunday, December 2, 2018


Every once in awhile, I'll be roaming the digiscape, and a ludicrously good tid-bit of advice will show up. An artist that I'd only just met on Twitter managed to give some of the best advice I'd seen in some time to artists, newbies especially. I thought this was worth a good share, because I couldn't have said it any better myself...


Attn: smaller artists. 
I'm going to riff a bit here, because even though I'm new to trying to make a living as a creative, I've been around a bit, and I have a few things that I think may help, if you take the time to read through this. We're all aware that it's tough to make a living as a creative professional. Frankly, the issue is that peoples' tastes are fickle. When you go it alone, there is a very real chance that you may work 30 years learning your craft for a single year of popularity and high demand.


That is not a good investment. You can try to justify it by hoping that in that single year, you'll make some really big sales, but that's about as likely as winning the lottery - it can happen, but the reality is, it probably won't. We do what we do because we love it, but that is not a reason to endure abuse or scorn from other parts of society. Art is a skilled trade that takes a long time to learn, and often requires expensive equipment and personal risk. 

So how do we get the respect that warrants?


1. Stop undercharging for your work. 

It may be fine to get $5 for an avatar when you're 15, but what do you expect to do when you're 30 and paying a mortgage? There's a very big distinction between pricing your work accordingly, and knowing what your audience demand is. Here's an article from muddy colors that might help to sum up this issue in a much more concise way: http://www.muddycolors.com/2015/09/pricing/

2. Don't unfollow people. 

It takes a little time for people to get around to following back, stop being spastic about it. Instead, take some time to maybe get to know them. Ask them questions, INTERACT. I think that quite a few people forget that the point of social media is to be, well, social.
Now, this is not to say that you need to maintain your social outreach in the exact same way all of the time - like I can find unfollowing okay if they are either being offensive to you personally OR not interacting in any way for quite an extended amount of time.

3. Take your gender out of your bio. 

Frankly, you just have better uses for that space. Put a link to another account or something in there instead. Some social medias require this space to be used, but I have to agree that I find it a bit useless. I don't see what the difference is, ultimately. 

4. Never go full hippie. 

Sorry, it's gotta be said - don't swap wives or join communes. Treat other artists like coworkers. This one is a bit difficult to get over for some people, keeping things professional, but I highly suggest that you treat every interaction as though this is someone that you could potentially work for. That's not to say that you can't be goofy, or have fun about things, but try to maintain some semblance of professionalism, especially if the situation warrants you to be.


5. When you have a bad day, get it out, but then get over it. 

My own little sister is also a painter, and she's not bad, but she's so constantly negative, I can barely stand spending time with her - and that's not a great way to convince people to support you.

6. Organize yourselves. 

Don't stand alone - find the people near you who are like-minded, and work with them. If you're a musician, you need album covers, posters, bartenders, bouncers, roadies, etc. If you're a painter, why not serve food and hire a quartet for a show? If you're an illustrator, join a creative group. There are TONS of them. No matter what you join up with, inspiration will ooze from your co-members if it's an active group. Check Facebook, check twitter, check blogs, really check wherever you regular to see if there are any available.
If you want to go the physical route, I suggest - especially as a creative - to search out locally what kinds of groups there happen to be local to you. As a painter, you might benefit from doing plein air groups. As an illustrator, you might have a local comics guild to try your hand at that type of creative outlet. The point is to just start trying to join up with fellow, like-minded folks and constantly push each other!


7. Ask. Just ask. 

Stop being so scared of your own shadow, and tell people what you need. Not everyone will like that - that's fine, those people will go away. This isn't even an art thing - it's true everywhere. No one ever asks for things, they just assume and give up.

I've never been ashamed to ask anyone about anything myself, even to the point of getting myself in trouble because I have no filter. But that's simply to say, if you're uncertain... ask! Typically if someone is receptive enough to respond to your question, if they don't know, chances are someone they might know has the answer to your question. This is what I believe the true meaning of social media is - people helping each other figure out things that they might not know.

8. Keep personal beef personal. 

You're not going to get along with everyone, that's impossible- but you can decide not to scream about how awful they are from every rooftop. I haven't seen it in visual arts yet, but look at the dumpster fire that is YouTube, if needed.


9. Stop trying to be someone else. 

I get it, I really, really do - you see something you like, and you want to emulate it - and that's a good way to learn. And I don't know, maybe it's just me, but it doesn't seem likely that every artist dreams of someday working in an anime mill. The main point here is that everyone is simply an emulation or combination of things that came previous. Take even what we assume to be the great masters, they are emulating even older artists. Everything in the art world APPEARS to be cyclical, so I'd suggest find things that you enjoy, subject matter that really speaks to you, hell, even find artists that are similar to what you are trying to achieve, and simply learn everything you can from them until you have your own voice.


10. Finish your work. 

The longer you look at an unfinished work, the more you grow to dislike it. Don't let that happen - my best work is finished in one sitting, because my mind doesn't have time to second-guess it. If you finish something and it sucks, just move on.

While I can't agree with the part about finishing a project in one sitting, because mine tend to take multiple sittings over weeks-on-end, I can highly recommend that you work on multiple pieces at a time and only work in small spurts on each project. This way it keeps you fresh on each piece.
For example, I think at any given moment I'm working on about three to ten individual pieces. It helps to vary subject matter, vary size, vary composition, etc. That way each piece feels unique in it's own way.

Either way, at the end of the day, whether you like or hate a piece, ultimately, is of small concern. In my experience, the pieces that I've absolutely loved, didn't have much impact on any audience, and the opposite of course held true in different situations. The main thing is - make work, and then finish it to work on more work. Keep moving forward, and don't dwell on what you did in the past.

If nothing else sticks, just remember that with each piece you work on, it'll always be a little bit better than the last.


11. Work with others. 

One person alone has to fight the world, but many hands make light work. Be the person that volunteers, and shows up. One day, you're going to want to retire - give people a reason to come visit you when you're old.

12. Form trade guilds. 

I'm gonna catch hell for that, but especially in the US, it's really the only option we have to ever get decent healthcare or retirement packages.

In the good 'ole U.S.of A. this unfortunately isn't a thing - GOD I WISH IT WAS. But I can commend this ten-fold. Artists need all of the things mentioned too!

13. When someone cries for help, answer. 

Don't make me smack the dumb outta ya - if you're a creative, you know exactly what those times are like. Lend a hand, so that when it's inevitably you later on, others will return the favor.

Much like the statement up above about communication - it's important to lend a hand as often as you can. And this can be something as simple as just telling someone that seems like they're having a bad day, that you believe in them. If absolutely nothing else, find something that they said somewhere via social media, and just comment or share it. That way they know that their words are being appreciated.


14. Stop believing dumb things. 

I don't know how much more plainly I can put it. If someone tells you "Armageddon is upon us!" but it just looks like any other day from your window, it probably isn't. You can't create truth if you live in a delusion.

And who am I to be saying these things? Well, that's easy - I'm the guy that took the time to write something down. If you don't think that's authoritative enough in and of itself, you clearly have not been paying attention. If you disagree, you can do that same thing.

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Thanks Twitsareangry for this awesome post!
If you enjoyed reading, please give it a SHARE via Facebook or Twitter, below.

You can find view more of Twitsareangry work at:

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THANKS FOR READING, AND UNTIL NEXT TIME!

Tuesday, November 6, 2018


I always find it interesting to look back and think about where I've come from versus where I am now. I think it's important to self-reflect. You see, a lot of people probably don't know it, but I use the International Self-Portrait Day (ISPD) as a way of seeing what sort of progress I've made over the years. I can say that I haven't exactly followed it perfectly, but it's something that is useful to gauge. I think overall, self-portraits can be a great way to reflect in that way. After all, who better to know you... than well, YOU?

I've done quite a few self portraits over the years, at all different points in my skill, and knowledge. I think it's important to note that there's consistent growth.

JULY 2012

I'm pretty sure that there are older ones all throughout the years, but for some reason this one just so happened to be the earliest on that I could find in my archives. This might be my first real attempts playing with digital painting. I didn't know much more than the hard round brush at the time, but I don't think it really mattered. It was all about finding the forms. Searching the canvas, as it shows in my stroke economy. I was just making an attempt to make sure that I got things in their right place more than anything else.

FEBRUARY 2013

This most likely starts my exploration phase with brushes. Texture wasn't exactly something that I knew about yet, I just knew that digital painting is/was something that I wanted to conquer! 
And so I continued on...

MARCH 2013

What's really interesting is that this one might've been my first attempt at real speed paint. I just threw strokes and textures all over the place! It's a blast once you start to get the hang of how the brushes themselves react on the canvas.

JULY 2013

I would consider this to be a considerable milestone. This is the beginning of my true understanding of how both form and texture combine. It could still be cleaned up some to this day, but there's some real breakthrough that happened here. When I look back it from today, it's so strange to think back to what 2013 offered versus what I can execute now.

I remember in those days thinking about how long this took, how I could easily work faster in traditional versus digital. I would constantly question what the point of working digitally was and why I wouldn't just jump off that bandwagon and just push pencils and inks - not realizing that these two could be done in tandem. I was pretty naive in those days compared to now.


OCTOBER 2014

Before the attempts at ISPD, I was doing school assignments that started to push those boundaries of what digital painting could actually do for me. For the longest time I actually pushed against this whole 'cloud-brush-form-build-up', but now it's like my default starting a canvas piece. I just randomly throw clouds on the canvas as a way to get something, anything, on the canvas. A blank canvas is WAY more intimidating than one that has something to build upon. In a way, I look at texture applied to a canvas in the same way that I look at say... gravel or sod. They are there to be build upon. Therefore, it's up to you to push and pull as needed to tend to the garden.

APRIL 2015

This was part of a final illustration assignment for school. My teacher, Michele Noiset, gathered all of us together to find a way to channel ourselves into a single portrait. I'm a very serious person when it comes to my art, and I can almost guarantee that I have this exact look on my face while I work. It's in such stark contrast to my usual, goof-ball self. I guess we all have our serious moments, huh?

Fun fact: That logo was one that I used for the LONGEST time. Look on my InstaGram and you'll see reflections of this logo to this day. I have an affinity for both cyberpunk and 80's aesthetic, so what better way than to channel it into an aged-looking icon. Ahh the retro vibe... how I love thee.

AUGUST 2015

I could've sworn this was a lot earlier than this, but this project was insane. Somehow I got roped into doing a thirty-day challenge in which we were to draw a self portrait for every day of the month. These were so stupid fast at the time. I made sure that every one of them was before I would start working for the day, so approx. thirty to forty-five minutes each.

I can tell you, it's stupid intense, but grew my brush economy ten-fold in a very short amount of time. I think that without this exercise, I would still be a bit slower at working digitally.

NOVEMBER 2015

My first go at ISPD. I took a picture specifically for this on Halloween just a day before. My father-in-law had this badass DSLR camera, and we had all sorts of interesting lighting situtions to toy with so I decided... it was time!

NOVEMBER 2016

As you can see, I quickly dove onto ISPD's challenge. I've been doing it every year thus far since 2015. I can't tell you honestly if it began that early, but I would (and still do) use it as my skill gauge for the year.

JANUARY 2017

I really loved the painterly aesthetic that I was developing around this time - there's something about this era that I actually continually channel to this day. This is about as close as I try to get with my current paint technique as I can. I can honestly say that this was about the time that I started watching Oil Painting demos on YouTube and began to channel that vibe.

A lot of people have asked me over the years why I don't simply oil paint, since I always rant about it. Well, there are lots of reasons, time and money being the main ones, but I feel the need to channel all of the traditional techniques into my digital work - I even made that brush pack long ago that I still use to this day, with some assistance from Deharme's brush pack. These two packs combined have made for the best painterly feeling that I keep on pushing everyday.

NOVEMBER 2017

This one was definitely all about speed over anything else. I think that I had just remembered at the last minute, post-Inktober, that ISPD was a thing, so I jumped quickly, grabbed my phone, took a picture, and awwwaaayyy we go. I'm not 100% sold on the painting here as it feels very plasticy and overly digital compared to my usual work. It's not to say that I didn't find something interesting about the way I worked on this piece or even the idea behind it; I can simply say that it was a very different feeling going into this one.

NOVEMBER 2018

And then we come to this years. This year was actually the first year that I'd had access to a tablet that you could actually draw on - so I'm still trying to get used to the feeling of that. That's not anything that I can use as an excuse though, as it's important to continually keep pushing every day. I just know that I drew this one stupidly fast, and kept things very loose.

Lastly... the fact that I had to hold my table at an angle... actually skewed the image upward as I worked, so at the last minute I held it upright and just stretched the image toward the top to regain the right anatomy. Inside track notes there haha!


All of this is really to go on about the fact that I think it's important to not only self-reflect, but to also take a step back every once in awhile and really gauge where you've come and where you're going.
Just always... KEEP ON PUSHING!

Monday, February 26, 2018


I think as artists, it's important that we all build community. That we build a support system of people that we can lean upon. A moment to realize that no question is too big or two small. This brings me to today's question:

(My Little Corner by Pedro Krüger Garcia)
Why Creativity?

I believe finding a reason to be a creative can sometimes be the hardest. Simply doing art-for-art's-sake usually doesn't fill the hole that you experience as an artist for long.  Quite often, even during my degree-seeking adventures of art school, I would constantly question myself and others,
"Is this what I (we) really want to do?" 
This question, much like a disc that continually skips, was on repeat. I feel like a majority of artists are initially scrambling to find a reason to do what they do, or even do what they enjoy.

I think it's critically important to discover why you enjoy art in the first place. That will be the initial guiding light that will turn you towards what you'd like to push forward with.

Ask yourself: What am I interested in?

This can seem like a daunting question at face value, but it will help to quickly turn the tide in your self-discovery favor.

I can still remember it, when I was a kid, thumbing through old volumes of Advanced Dungeons and Dragons, 2nd ed. Monsters Manual. I would read the small descriptions, even before looking at any of the ink plates that were presented in the book itself, and try my damnedest to imagine what the creatures would look like before I took a peek. Usually I was wrong, but I learned a valuable lesson at that point. I have the ability to come up with my own monsters? That's a thing?! It took a long while for this ideology to sink in, but there you have it, my first steps into doing art as a profession. Of course, I didn't know it at the time, but that for another story.

Fast-forward some time and thousands-upon-thousands of images later (not my own creation, merely gathered imagery), and I have slowly begun to discover what types of images I do or don't like. Some might say, I've gained a tad of an Art Director's eye. I can go on, at length, as to what makes a piece of art good or bad and offer a multitude of fixes to help make the piece really shine!

But through all of it, I still get continually asked the same question about creativity.
There isn't of course a tell-tale answer for everyone, but here's a few reasons that I think some people might pursue the creative arts:

For Money?

Some people might merely be searching for the next paycheck. While I will admit, sometimes the instant gratification of a payday can seem like a heaven-sent, I think it's important to look at the bigger picture. Sure, we all need money, but there's a certain amount of soul-gratification to completing a piece. I have this tendency to save a piece in a multitude of stages from initial sketch to final piece. I think this might be a holdover from when I was back in art school, but it's extremely gratifying to look back at a piece from conception to final.

Another bonus to saving a piece in stages, especially if you're searching for the monetary aspect, is that you can double it up later on as part of an art book. I know that I, for one, love to see all of the stages that make up the end result.



For Prestiege?

While this is something that typically happens over-time, some people go into the arts with this purely in mind. Going for fame and glory is always a matter of opinion, but having a background task (typically) is the way of the artist. There's always the ability to gain some sort of fame, or notoriety, depending on how you pursue your creativity, but there's still a certain amount of letting your creations speak for you. In this regard, I think that jumping into creativity with this in mind might end up making your struggle a bit harder than intended up front.

I'd suggest to let this path come to you.

For Preservation?

This one is also a bit hard to gauge because, as with prestige, usually comes the need for a way for your audience to want in on the action. By default, then, you end up with a sort of living legacy of your work.

For example, go back and look at a piece you did long ago, and then compare it to a piece that you're currently working on. I'd guarantee that you'll see a huge difference, even if it's only been a short amount of time. Your mind has changed about things, or perhaps your skill has grown. Ultimately, preservation, and subsequently, the need for collectors, will grow over time.

For Fun?

Then we come upon the real reason we should all be creating in the first place. FUN. If you're not enjoying the path as your developing it, trust me, it shows. I've seen the most passionate people burn out simply because they lost sight of the ability to have fun with their work.

If you're finding yourself burned out, try doing something completely different artistically. Drawing too many dragons? Try going the opposite direction: draw some robots. Combine the two: robotic dragons. Feeling out of sorts with character design? Try a couple environment studies. Another important thing to try is... simply take a break! Most people think that they have to grind and grind to get to their goals. Well when gears grind too hard, they break. This is true for a creative. They need to take a step back sometimes and just refresh their batteries.

I make it a point whenever I finish a big commission to take a day or two to just push that refresh button. Watch movies, play games, listen to music non-stop; anything that provides a release from monotony.

Ultimately, just have fun with your work!

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There are many other reasons to pursue art, but these are the top four that come to mind instantly whenever I start to think about reasons behind the art.

What are some of your reasons for continuing to make work? Leave a comment below with yours!

Monday, January 29, 2018

At first you ignored us
Like we’re a passing fad
But then we raised our voices
And now you’re scared
[…]
Of all the power that we have
We’re coming for you
Now you can’t ignore us

We will stand
We will fight
We’ll take everything we need
We won’t lay down and die
This is who we are meant to be
There’s no second guessing

[…]

You call yourselves an army
You try to hold us back
But when the battle’s over
You’re going to see
All the power that we have

[…]

We’re coming for you
[…]
No, you can’t ignore like you did before

Sleeping Wolf – New Kings



Being a creative is empowering. Nothing is out of reach. As creators we are breathing life into every project that leaves our fingertips. Creation is our way of fighting back.

We’re at a point of time, which is always, truly there, but fluctuates with each Big Bad that tells us we can’t, or we shouldn’t, or we won’t. The truth of it is. We can, we should, we will. It seems though, that the world, collectively believes we have to yell to get our point across. The truth of it is, sometimes, it only takes a whisper. There isn’t a day that goes by that isn’t woven in our morals, and truths, and beliefs.

I’m here to tell you. You don’t have to yell. You just have to push. Every day. 

Yelling doesn’t make you stronger. Challenging yourself, and the way you think, makes you stronger.

Power may appear to come with money, and in a world domination sense, it does. I believe strongly though, that power comes through conviction. Your conviction. The same convictions that push you through your day. The ones that tell you to get out of bed, and go to your shitty job. Or get along with the mother/father of your children, for the children. To put in the time to hone your craft, pushing it past a hobby.

We shouldn’t ignore ignorance, but yelling doesn’t make it go away. It has to be outsmarted. It has to be carved through, not beat down, because the truth of it is: Ignorance will always exist. People can be taught, but that doesn’t mean they learn.

Sometimes, all it takes is a whisper.

The thing about a whisper is that it gets in the head of Ignorance. It frustrates Ignorance. Reaction is action. Not yelling, not arguing, or killing. A whisper is calm, but powerful. A whisper makes you think. A whisper is sneaky. A whisper is intimate.

A whisper is a song lyric, or a poem. A whisper is a piece of art, or the hero in a book. A whisper is the knowledge that the world is so much more than black and white.

“Raising your voice,” is a relative term. A phrase that begs to be explored. It can’t be taken at face value. Raising your voice is a mental act. A mental push to change, and grow, and teach.

My writing is my whisper. You can try to ignore it, but it still exists, and it still reaches someone. It can still teach someone.

My whisper is pushing the bounds of my creativity. My whisper is proving, through my words, that I can overcome the doubt. Not just the doubt of those around me, but my own doubt. My whisper is rooted in me. It grows from me. It spreads from me.



No one can quiet a whisper.

Be back soon, 
Ashley (Fictional Tortoise)

Wednesday, January 10, 2018

I’m not afraid anymore!” – Kevin McAllister (Home Alone, 1990)


      It may seem like a mundane quote, said by a fictional character in a movie, but it’s more than that to me. I grew up watching Home Alone, and over the years, this quote came to mean something to my Mom and me. It may have started as a joke, I don’t remember the specifics, but I do know that before long it was our go-to phrase when we conquered something we feared. Lately, this phrase has invaded my life. I say invaded, and that may seem negative, or harsh, but that isn’t how I mean it at all. It’s a positive. I’m not afraid to be myself. Could it be the anxiety medicine kicking ass, and doing what it’s supposed to? Sure, that’s probably a huge part of it. Also, though, I feel like I’ve cut my restraints and freed myself. And I’ll tell you how I did it.

     I started an Instagram account. No, not for me. My Instagram has been active for a while, although I’ve never been brave or dedicated enough to consistently post. This account is for my Chihuahua-mix dog, named Bode. He wears bow-ties. And it’s mostly written from his perspective, except for the occasional book quote. I read to him, he knows things, it makes sense. Anyway, his account has been active for about three weeks, and I’ve already posted sixty-ish pictures, that unravel the journey of his life and adventures so far. It makes me smile, and hopefully makes other smile too.

     After Bodie’s Instagram account, I started a blog, again, from his perspective. So far, he’s laid the foundation for how he came to be the integral part of a family, and he’s given a review on a particularly interesting treat. Look it up, (Bodie Goodboy) if reading this peaks your interest. 

     Anyway, the point is, creating/managing these accounts has gotten me used to daily posts, and I’ve found that I look forward to doing it. Through it, I’ve begun to become unafraid of any creative pursuit. I want to put myself out there. I want to tell my story, and the stories that play out in my head. And, the truth is, I don’t care what other people think. I’m doing what I love, and if I love it, then there has to be others that will enjoy it.

     I’m carving my creative path in the cement, and this is the beginning of the trail.

     Be back soon,

     Ashley (Fictional Tortoise) 

Follow Mat @artofmatk

Follow Ash @ashley.storyteller